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129 blueprint tersedia • 3 subkategori

Blueprint (129)

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

oleh CharlieDE

SENI

73
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

oleh CharlieDE

SENI

63
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

oleh CharlieDE

SENI

96
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

oleh CharlieDE

SENI

54
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

oleh CharlieDE

SENI

72
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

oleh CharlieDE

SENI

82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

oleh CharlieDE

SENI

78
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Berbahaya

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

oleh CharlieDE

SENI

56
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Berbahaya

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

oleh CharlieDE

SENI

57
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Berbahaya

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

oleh CharlieDE

SENI

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

oleh CharlieDE

SENI

168
0
0
0
0
0
Membuat Cat Tato Besi Merah Oker

Membuat Cat Tato Besi Merah Oker

oleh CharlieDE

Seni Badan

142
0
0
0
1
0
Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

oleh CharlieDE

Seni Badan

138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

oleh CharlieDE

SENI

78
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

oleh CharlieDE

SENI

148
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

oleh CharlieDE

Penyulingan

73
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Berbahaya

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

oleh CharlieDE

SENI

68
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Berbahaya

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

oleh CharlieDE

SENI

80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

oleh CharlieDE

SENI

76
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Berbahaya

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

oleh CharlieDE

SENI

93
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

oleh CharlieDE

SENI

64
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

oleh CharlieDE

SENI

56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

oleh CharlieDE

SENI

66
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

oleh CharlieDE

Haiwan

153
0
0
0
3
0
Memaparkan 24 daripada 129