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SENI

119 blueprint tersedia • 3 subkategori

Blueprint (119)

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Berbahaya

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

oleh CharlieDE

SENI

38
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

oleh CharlieDE

SENI

26
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

oleh CharlieDE

SENI

31
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

oleh CharlieDE

SENI

32
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

oleh CharlieDE

SENI

38
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

oleh CharlieDE

SENI

22
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

oleh CharlieDE

SENI

36
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

oleh CharlieDE

SENI

34
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

oleh CharlieDE

SENI

31
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Berbahaya

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

oleh CharlieDE

SENI

33
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Berbahaya

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

oleh CharlieDE

SENI

32
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Berbahaya

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

oleh CharlieDE

SENI

68
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

oleh CharlieDE

SENI

105
0
0
0
0
0
Membuat Cat Tato Besi Merah Oker

Membuat Cat Tato Besi Merah Oker

oleh CharlieDE

Seni Badan

59
0
0
0
1
0
Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

oleh CharlieDE

Seni Badan

74
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

oleh CharlieDE

SENI

32
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

oleh CharlieDE

SENI

68
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

oleh CharlieDE

Penyulingan

29
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Berbahaya

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

oleh CharlieDE

SENI

38
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Berbahaya

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

oleh CharlieDE

SENI

40
0
0
0
2
0