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ART

122 blueprints available • 3 subcategories

Blueprints (122)

Making Viridian — The Permanent Transparent Chromium Oxide Green
Hazardous

Making Viridian — The Permanent Transparent Chromium Oxide Green

by CharlieDE

ART

21
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Hazardous

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

by CharlieDE

ART

38
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Hazardous

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

by CharlieDE

ART

29
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Hazardous

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

by CharlieDE

ART

41
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

by CharlieDE

ART

31
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

by CharlieDE

ART

34
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

by CharlieDE

ART

35
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

by CharlieDE

ART

43
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

by CharlieDE

ART

26
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

by CharlieDE

ART

39
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

by CharlieDE

ART

43
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

by CharlieDE

ART

32
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Hazardous

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

by CharlieDE

ART

36
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Hazardous

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

by CharlieDE

ART

37
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Hazardous

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

by CharlieDE

ART

75
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

by CharlieDE

ART

112
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

by CharlieDE

Body Art

62
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

by CharlieDE

Body Art

80
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

by CharlieDE

ART

33
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

by CharlieDE

ART

78
0
0
0
2
0