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BlueprintsART
ART
132 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (132)
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
66
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
83
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
182
0
0
0
3
0
Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
139
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
159
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
112
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
117
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
116
0
0
0
7
0
Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
71
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
by Charlie
Middle Ages
94
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
by Charlie
Ancient
78
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
by Charlie
Ancient
71
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
by Charlie
Ancient
268
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
by Charlie
Prehistoric
107
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
by Charlie
Ancient
64
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
by Charlie
Middle Ages
84
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
by Charlie
Ancient
113
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
by Charlie
Prehistoric
209
0
0
0
6
0
Making Lime Wash
by Charlie
Prehistoric
198
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
by Charlie
Prehistoric
163
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
by Charlie
Middle Ages
117
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
by Charlie
Ancient
122
0
0
0
7
0
Cochineal Harvest from Prickly Pear — From Insect to Carmine Pigment
by Florecita
Agriculture
67
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
by Charlie
Painting
182
0
0
2
0
0
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