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127 blueprint ang available • 3 subkategorya
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Mga Blueprint (127)
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
ni Charlie
SINING
96
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ni Charlie
SINING
52
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ni Charlie
SINING
69
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ni Charlie
SINING
82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
ni Charlie
SINING
75
0
0
0
2
0
Mapanganib
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
ni Charlie
SINING
55
0
0
0
4
0
Mapanganib
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
ni Charlie
SINING
57
0
0
0
0
0
Mapanganib
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
ni Charlie
SINING
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ni Charlie
SINING
163
0
0
0
0
0
Gumawa ng Pulang Ochre Tattoo Paint
ni Charlie
Body Art
133
0
0
0
1
0
Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao
ni Charlie
Body Art
138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ni Charlie
SINING
76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ni Charlie
SINING
142
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ni Charlie
Pagdidistila
72
0
0
0
2
0
Mapanganib
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ni Charlie
SINING
65
0
0
0
2
0
Mapanganib
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ni Charlie
SINING
79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ni Charlie
SINING
75
0
0
0
4
0
Mapanganib
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ni Charlie
SINING
90
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ni Charlie
SINING
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ni Charlie
SINING
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ni Charlie
SINING
63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ni Charlie
Hayop
147
0
0
0
3
0
Mapanganib
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ni Charlie
Sinauna
111
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ni Charlie
Gitnang Panahon
137
0
0
0
4
0
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