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BlueprintsART
ART
119 blueprints available • 3 subcategories
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Blueprints (119)
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ni Charlie
ART
30
0
0
0
4
0
Mapanganib
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ni Charlie
ART
47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ni Charlie
ART
32
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ni Charlie
ART
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ni Charlie
ART
30
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ni Charlie
Animal
53
0
0
0
3
0
Mapanganib
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ni Charlie
Ancient
47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ni Charlie
Middle Ages
72
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ni Charlie
Ancient
44
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
ni Charlie
Ancient
44
0
0
0
9
0
Mapanganib
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
ni Charlie
Modern
45
0
0
0
7
0
Mapanganib
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
ni Charlie
Middle Ages
25
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
ni Charlie
Middle Ages
28
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
ni Charlie
Ancient
23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
ni Charlie
Ancient
19
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
ni Charlie
Ancient
58
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
ni Charlie
Prehistoric
41
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
ni Charlie
Ancient
28
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
ni Charlie
Middle Ages
35
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
ni Charlie
Ancient
36
0
0
0
6
0