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Mga BlueprintKULTURA AT KASAYSAYAN

KULTURA AT KASAYSAYAN

2,374 blueprint ang available • 3 subkategorya

Mga Blueprint (2,374)

Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

ni CharlieDE

Body Art

162
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

ni CharlieDE

SINING

85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

ni CharlieDE

SINING

176
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

ni CharlieDE

Pagdidistila

93
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Mapanganib

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

ni CharlieDE

SINING

81
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Mapanganib

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

ni CharlieDE

SINING

84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

ni CharlieDE

SINING

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Mapanganib

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

ni CharlieDE

SINING

107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

ni CharlieDE

SINING

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

ni CharlieDE

SINING

67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

ni CharlieDE

SINING

85
0
0
0
3
0
Paggawa ng Bone Black na Pigment — Pag-calcine ng Buto ng Hayop Tungo sa Mainit na Itim ng mga Old Master na Pintor

Paggawa ng Bone Black na Pigment — Pag-calcine ng Buto ng Hayop Tungo sa Mainit na Itim ng mga Old Master na Pintor

ni CharlieDE

Hayop

182
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Mapanganib

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

ni CharlieDE

Sinauna

139
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

ni CharlieDE

Gitnang Panahon

162
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

ni CharlieDE

Sinauna

112
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

ni CharlieDE

Sinauna

117
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

ni CharlieDE

Moderno

119
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Mapanganib

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

ni CharlieDE

Gitnang Panahon

71
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

ni CharlieDE

Gitnang Panahon

94
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

ni CharlieDE

Sinauna

78
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

ni CharlieDE

Sinauna

72
0
0
0
3
0
Paggawa ng Casein Paint mula sa Gatas at Apog — Ang Sinaunang Protein-Based na Pintura sa Dingding

Paggawa ng Casein Paint mula sa Gatas at Apog — Ang Sinaunang Protein-Based na Pintura sa Dingding

ni CharlieDE

Sinauna

269
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

ni CharlieDE

Prehistoriko

109
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

ni CharlieDE

Sinauna

65
0
0
0
3
0
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