Pakikipagtulungan
SINING
BEAUTY AT WELLNESS
CRAFTS
KULTURA AT KASAYSAYAN
LIBANGAN
KAPALIGIRAN
PAGKAIN AT INUMIN
REVERSE ENGINEERING
AGHAM
ISPORTS
TEKNOLOHIYA
MGA WEARABLE

Kemistri

1,284 blueprint ang available • 22 subkategorya

Mga Blueprint (1,284)

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

ni CharlieDE

SINING

67
0
0
0
7
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

ni CharlieDE

SINING

88
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

ni CharlieDE

SINING

75
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

ni CharlieDE

SINING

103
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

ni CharlieDE

SINING

63
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

ni CharlieDE

SINING

87
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

ni CharlieDE

SINING

100
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

ni CharlieDE

SINING

103
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Mapanganib

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

ni CharlieDE

SINING

61
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Mapanganib

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

ni CharlieDE

SINING

67
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Mapanganib

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

ni CharlieDE

SINING

110
0
0
0
2
0
Paggawa ng Sepia Ink mula sa Cuttlefish — Ang Natural na Kayumangging Tinta ng mga Artista sa Mediterranean

Paggawa ng Sepia Ink mula sa Cuttlefish — Ang Natural na Kayumangging Tinta ng mga Artista sa Mediterranean

ni CharlieDE

SINING

203
0
0
0
0
0
Gumawa ng Pulang Ochre Tattoo Paint

Gumawa ng Pulang Ochre Tattoo Paint

ni CharlieDE

Body Art

157
0
0
0
1
0
Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

ni CharlieDE

Body Art

162
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

ni CharlieDE

SINING

85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

ni CharlieDE

SINING

174
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

ni CharlieDE

Pagdidistila

92
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Mapanganib

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

ni CharlieDE

SINING

81
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Mapanganib

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

ni CharlieDE

SINING

84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

ni CharlieDE

SINING

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Mapanganib

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

ni CharlieDE

SINING

107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

ni CharlieDE

SINING

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

ni CharlieDE

SINING

67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

ni CharlieDE

SINING

83
0
0
0
3
0
Ipinapakita ang 24 sa 1284