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Mga Blueprint (2,499)
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ni Charlie
SINING
85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ni Charlie
SINING
174
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ni Charlie
Pagdidistila
92
0
0
0
2
0
Mapanganib
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ni Charlie
SINING
81
0
0
0
2
0
Mapanganib
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ni Charlie
SINING
84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ni Charlie
SINING
90
0
0
0
4
0
Mapanganib
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ni Charlie
SINING
107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ni Charlie
SINING
79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ni Charlie
SINING
67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ni Charlie
SINING
83
0
0
0
3
0
Paggawa ng Bone Black na Pigment — Pag-calcine ng Buto ng Hayop Tungo sa Mainit na Itim ng mga Old Master na Pintor
ni Charlie
Hayop
182
0
0
0
3
0
Mapanganib
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ni Charlie
Sinauna
139
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ni Charlie
Gitnang Panahon
159
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ni Charlie
Sinauna
112
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
ni Charlie
Sinauna
117
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
ni Charlie
Moderno
116
0
0
0
7
0
Mapanganib
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
ni Charlie
Gitnang Panahon
71
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
ni Charlie
Gitnang Panahon
94
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
ni Charlie
Sinauna
78
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
ni Charlie
Sinauna
71
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
ni Charlie
Prehistoriko
109
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
ni Charlie
Sinauna
64
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
ni Charlie
Sinauna
113
0
0
0
6
0
Paggawa ng Lampblack Pigment — Pagkolekta ng Carbon Soot mula sa Nagniningas na Apoy
ni Charlie
Prehistoriko
210
0
0
0
6
0
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