UBUHANZI
UBWIZA N'UBUZIMA
UBUKORIKORI
UMUCO N'AMATEKA
IMYIDAGADURO
IBIDUKIKIJE
IBIRIBWA N'IBINYOBWA
UBWUBATSI BUSUBIRA INYUMA
UBUMENYI
SIPORO
IKORANABUHANGA
IBYAMBARWA
Gusiga Amarangi
Ibishushanyo 39 birahari
Ibishushanyo (39)
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
na Charlie
Gusiga Amarangi
9
0
0
0
0
0
Akaga
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
na Mary
Gusiga Amarangi
20
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
na Charlie
Gusiga Amarangi
27
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
na Mary
Ibikoresho
34
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
na Charlie
UBUHANZI
62
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
na Charlie
UBUHANZI
61
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
na Charlie
UBUHANZI
75
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
na Charlie
UBUHANZI
63
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
na Charlie
UBUHANZI
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
na Charlie
UBUHANZI
76
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
na Charlie
UBUHANZI
84
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
na Charlie
UBUHANZI
175
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
UBUHANZI
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
UBUHANZI
149
0
0
0
2
0
Akaga
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
UBUHANZI
75
0
0
0
2
0
Akaga
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
UBUHANZI
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
UBUHANZI
79
0
0
0
4
0
Akaga
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
UBUHANZI
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
UBUHANZI
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
UBUHANZI
58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
UBUHANZI
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Inyamaswa
157
0
0
0
3
0
Akaga
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kera
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Ibihe byo Hagati
141
0
0
0
4
0
Hagaragajwe 24 kuri 39