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Tooled Calfskin Coin Purse: Lined, Flap Over Front, Design Split Between Flap and Front (Boy Mechanic, 1915)
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13. Ugushyingo 2026FO
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Tooled Calfskin Coin Purse: Lined, Flap Over Front, Design Split Between Flap and Front (Boy Mechanic, 1915)

The first piece in Mary C. Scovel's leather course (The Boy Mechanic, Book 2, 1915): a coin purse of Russian calfskin from a 4 by 8 in piece, its design traced, lined and tooled or stamped, split so half sits on the flap and half on the front below it, then lined with silk and stitched.
Utangiye
About 3 hours

Amabwiriza

1

Her sizes in centimetres

Gupakira ikaye ya Jupyter…
2

Read The Boy Mechanic, Book 2

Her outfit: "two special tools costing 50 cents each, one with a narrow edge for lining patterns, and one with broad ends for tooling; and a piece of tin, plate glass, or very smooth hard wood, which should not be smaller than 9 by 12 in. A soft sponge, a triangle, a rule, tracing paper and a hard pencil are also needed." Russian calfskin is best for tooling and stamping.
3

Make the paper pattern

The purse has three parts: front, back and flap. Fold paper to the proportions you want, with the design for the front D on the same side of the paper as the flap C; the space F under the flap has no design. Fold F behind H, then C behind H and F, and turn the pattern over to see the purse. Cut a piece of leather 4 by 8 in, which leaves 1/4 in outside the pattern for pinning.

Ibikoresho by'iyi ntambwe:

Uruhu rw'inyanaUruhu rw'inyana1 igice

Ibikoresho bikenewe:

Tracing PaperTracing Paper
Ikaramu ya penisileIkaramu ya penisile
UmukasiUmukasi
Umurongo w'ipimaUmurongo w'ipima
4

Damp the leather and transfer the design

Draw the whole design for the purse on tracing paper. Wet the leather on the wrong (unfinished) side with a soft sponge: pat it to moisten, not soak, it; too wet and the tool sticks and leaves an uneven background. Pin the design firmly on the leather, tack the leather down on its outer margin to the glass or board, and go over every line with a hard pencil, with firm, even pressure. Lift the paper and go over the lines with the narrow lining tool, with a strong, firm stroke. A line design can stop here.

Ibikoresho by'iyi ntambwe:

Uruhu rw'inyanaUruhu rw'inyana1 igice

Ibikoresho bikenewe:

IsiponjeIsiponje
Tracing PaperTracing Paper
Ikaramu ya penisileIkaramu ya penisile
Utupini two gushushanya (agasanduku ka 50)Utupini two gushushanya (agasanduku ka 50)
Ikibaho cy'ikirahureIkibaho cy'ikirahure
Leather Modeling ToolLeather Modeling Tool
5

Tool or stamp the background

Leave at least 1/8 in between the edge of the pattern and the design. To tool, press the background down with the broad end in even, long strokes; if it will not go down, the leather is too dry, so take it off and damp the back again. Keep the edges sharp between pressed and raised parts. To stamp instead, strike a small carpenter's nail set lightly with a wooden mallet in rows of circles; too hard a blow cuts the leather.

Ibikoresho bikenewe:

Leather Modeling ToolLeather Modeling Tool
Nail SetNail Set
Inyundo y'IgitiInyundo y'Igiti
IsiponjeIsiponje
6

Line and stitch

Fold the parts together, line with silk to match the leather, and stitch the front and back parts close to the edge. Stitch on a sewing machine with a long stitch, a large needle and silk as heavy as the needle takes; try it on a scrap first, and put tissue paper over the leather if the foot marks it. Without a machine, prick holes with an awl and sew with needle and silk, running or over-and-over; going over-and-over to the end and back gives an X stitch. She has the catch M put on by a shoemaker or trunk store; a snap fastener is used here.

Ibikoresho by'iyi ntambwe:

Umwenda w'IhaririUmwenda w'Ihariri1 igice
Silk ThreadSilk Thread1 igice
Ifatanya ry'ifu y'inganoIfatanya ry'ifu y'ingano1 igice
Buto ikandwa y'imyendaButo ikandwa y'imyenda1 igice

Ibikoresho bikenewe:

UmukasiUmukasi
Imashini yo kudodaImashini yo kudoda
Urushinge RutoboraUrushinge Rutobora
Inshinge ebyiri zo kudoda uruhuInshinge ebyiri zo kudoda uruhu
7

Troubleshooting

Tooled leather troubleshooting.

Flow

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8

History and honest limits

From Mary C. Scovel, "Arts-Crafts Leather Work", in **The Boy Mechanic, Book 2**, Popular Mechanics, 1915 (Project Gutenberg 44585; checked on the archive.org scan boymechanicbook200chic2, pp. 432-441), Part I. She gives the piece size but no finished purse size; the shape comes from her pattern. The snap fastener, tools and metric figures are ours.

Ibikoresho

5

Ibikoresho bikenewe

13

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