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Crucibles of White Clay and Ground Old Crucibles for Melting Gold and Silver (Theophilus, 12th Century)
The goldsmith's crucible from Theophilus's De Diversis Artibus (12th century): finely ground white clay mixed with ground fragments of old crucibles (or of white pots that survive heating to a glow), two parts to a fourth part, beaten with warm water and formed into crucibles large and small.
Utangiye
About 1 day plus drying
Amabwiriza
1
1
Mix proportions
Mix proportions
Gupakira ikaye ya Jupyter…
2
2
Read De Diversis Artibus, Book III
Read De Diversis Artibus, Book III
"Take white clay and grind it very fine, and old vases, in which gold or silver has been before melted."
3
3
Prepare the clay and grog
Prepare the clay and grog
Grind white clay very fine. Break up old crucibles in which gold or silver has been melted and grind them separately; if you have none, heat baked fragments of white earthen pots until they glow, and if they do not crack let them cool and grind them.
Ibikoresho by'iyi ntambwe:
Ibumba rya kaolin1 igice
Ibice by'inzabya zavunitse1 igiceIbikoresho bikenewe:
Pipeti
Iziko ryo Gucura
Inyundo4
4
Mix and form
Mix and form
Take two parts of the ground clay and a fourth part of the burnt fragments (a third in the Wolfenbuttel manuscript), mix with warm water, beat it strongly, and form crucibles large and small.
Ibikoresho bikenewe:
Indobo ya Litiro 20
Inyundo y'Igiti5
5
Dry
Dry
Let the crucibles dry; meanwhile weigh out the gold or silver to be worked.
6
6
Troubleshooting
Troubleshooting
Crucible troubleshooting.
Flow
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7
7
History and honest limits
History and honest limits
From Theophilus, **De Diversis Artibus**, Book III, chapter XXII, translated by Robert Hendrie (1847) (checked on the archive.org scan essayuponvarious00hend, p. 227). He gives no sizes and no firing; kaolin for his white clay, the tools and the diagram are ours.
Ibikoresho
2- 1 igiceUmwanya
- 1 igiceUmwanya
Ibikoresho bikenewe
5- Umwanya
- Umwanya
- Umwanya
- Umwanya
- Umwanya
Iki gishushanyo gikora
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