SANAT
GÜZELLİK & SAĞLIK
ZANAAT
KÜLTÜR & TARİH
EĞLENCE
ÇEVRE
YİYECEK & İÇECEK
TERS MÜHENDİSLİK
BİLİMLER
SPOR
TEKNOLOJİ
GİYİLEBİLİR ÜRÜNLER
Pigment Rengi
76 plan mevcut
Planlar (76)
Tehlikeli
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Charlie tarafından
SANAT
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
Charlie tarafından
SANAT
72
0
0
0
4
0
Tehlikeli
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Charlie tarafından
SANAT
88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
Charlie tarafından
SANAT
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
Charlie tarafından
SANAT
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
Charlie tarafından
SANAT
61
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
Charlie tarafından
Hayvan
143
0
0
0
3
0
Tehlikeli
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Charlie tarafından
Antik
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
Charlie tarafından
Ortaçağ
133
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
Charlie tarafından
Antik
90
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
Charlie tarafından
Antik
90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Charlie tarafından
Modern
93
0
0
0
7
0
Tehlikeli
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Charlie tarafından
Ortaçağ
64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
Charlie tarafından
Ortaçağ
63
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
Charlie tarafından
Antik
66
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
Charlie tarafından
Antik
48
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
Charlie tarafından
Tarih öncesi
74
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
Charlie tarafından
Antik
53
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
Charlie tarafından
Antik
84
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
Charlie tarafından
Tarih öncesi
170
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
Charlie tarafından
Tarih öncesi
120
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
Charlie tarafından
Ortaçağ
93
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
Charlie tarafından
Antik
94
0
0
0
7
0
Bitkilerden Doğal Boyarmaddeler Çıkarılması — Bahçeden Renk
Bob tarafından
Biyoloji
58
0
0
0
0
0
76 içinden 24 gösteriliyor