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Kimya

1.072 plan mevcut • 22 alt kategori

Planlar (1.072)

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Tehlikeli

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie tarafındanDE

SANAT

102
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie tarafındanDE

SANAT

71
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie tarafındanDE

SANAT

62
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie tarafındanDE

SANAT

79
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie tarafındanDE

Hayvan

170
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Tehlikeli

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie tarafındanDE

Antik

130
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie tarafındanDE

Ortaçağ

148
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie tarafındanDE

Antik

105
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie tarafındanDE

Antik

104
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie tarafındanDE

Modern

111
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Tehlikeli

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie tarafındanDE

Ortaçağ

67
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie tarafındanDE

Ortaçağ

79
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie tarafındanDE

Antik

74
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie tarafındanDE

Antik

64
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie tarafındanDE

Tarih öncesi

98
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Charlie tarafındanDE

Antik

58
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie tarafındanDE

Antik

103
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Charlie tarafındanDE

Tarih öncesi

200
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Charlie tarafındanDE

Tarih öncesi

158
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Charlie tarafındanDE

Ortaçağ

107
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

Charlie tarafındanDE

Antik

109
0
0
0
7
0
Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

Tex tarafındanFO

Endüstriyel

59
0
0
0
1
0
Synthetic Indigo — BASF's Industrial Synthesis That Replaced a Global Crop
Tehlikeli

Synthetic Indigo — BASF's Industrial Synthesis That Replaced a Global Crop

Tex tarafındanFO

Industry 2.0 — Electricity, Steel & Oil (1870)

128
0
0
0
0
0
Whitney's Cotton Gin — Separating Seed from Fiber at Industrial Scale

Whitney's Cotton Gin — Separating Seed from Fiber at Industrial Scale

Tex tarafındanFO

Industry 1.0 — Steam & Mechanization (1760)

46
0
0
0
1
0
1072 içinden 24 gösteriliyor