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Blackfoot Face Paints: Yellow Earth Burned Red, Earths Applied Wet or Worked into Tallow on the Face (Wissler, 1910)
The everyday face paints of the Blackfoot (Niitsitapi) as Clark Wissler recorded them in 1910: yellow earth, red earth found as it is or made by burning yellow earth, white earth and charcoal, put on wet or rubbed into tallow on the face with the hands; round red spots on the cheeks and bands on forehead and chin for daily wear.
Beginner
An hour, plus a fire
Instructions
1
1
Read Wissler
Read Wissler
"It may be applied wet or the face rubbed with tallow into which some of the pigment is worked with the hands."
2
2
Collect the earths
Collect the earths
Yellow earth; red earth as found; white earth; charcoal for black. The Blackfoot named many more, from buffalo gall stones (yellow) to a dark blue mud.
Materials for this step:
Yellow Ochre Pigment (Raw)1 piece
Raw Ochre1 piece
Kaolin Clay Powder1 piece
Charcoal1 pieceTools needed:
Stone Mortar and Pestle3
3
Burn yellow earth red
Burn yellow earth red
The Blackfoot had a red earth made by burning yellow earth, and another reddened by long exposure to the sun. Ours: heat the yellow earth in a pan in a hot fire until it turns red, let it cool, and grind it fine.
Materials for this step:
Yellow Ochre Pigment (Raw)1 pieceTools needed:
Iron Kettle
Fire Pit
Stone Mortar and Pestle4
4
Put it on
Put it on
Either wet the powder with a little water and paint it on, or rub tallow on the face and work some of the powder into it with the hands. Everyday wear: large round red spots on the cheeks, a broad band on the forehead and chin; women traced the part of the hair red. Stripes, designs and several colours were kept for ceremonies.
Materials for this step:
Animal Fat (Tallow)1 piece
Water1 pieceTools needed:
Stone Mortar and Pestle5
5
Troubleshooting
Troubleshooting
Face paint troubleshooting.
Flow
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6
6
History and honest limits
History and honest limits
From Clark Wissler, *Material Culture of the Blackfoot Indians*, **Anthropological Papers of the American Museum of Natural History** vol. V (1910), pp. 72, 133-134 (checked on the archive.org scan materialcultureo00wiss); the hero is his Fig. 36, a Blackfoot paint bag 26 cm long (they ran from 8 to 15 cm). He quotes earlier travellers: Maximilian saw trade vermilion rubbed in with fat, yellow clay on the face with red round the eyes, and a shining iron earth for blue bands. How the earth is burned, grinding and amounts are ours.
Materials
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