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ART

82 blueprints available • 3 subcategories

Blueprints (82)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

by CharlieDE

Painting

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2
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Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Hazardous content

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

by CharlieDE

Pigment Color

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0
5
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Making Viridian — The Permanent Transparent Chromium Oxide Green
Hazardous content

Making Viridian — The Permanent Transparent Chromium Oxide Green

by CharlieDE

Pigment Color

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3
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Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Hazardous content

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

by CharlieDE

Chemistry

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3
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Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Hazardous content

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

by CharlieDE

ART

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4
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Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Hazardous content

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

by CharlieDE

Chemistry

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6
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Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

by CharlieDE

Pigment Color

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0
5
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Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

by CharlieDE

Pigment Color

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2
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Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Hazardous content

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

by CharlieDE

Middle Ages

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1
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Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
Hazardous content

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

by CharlieDE

Chemistry

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Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

by CharlieDE

Ancient

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2
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Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

by CharlieDE

Middle Ages

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Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

by CharlieDE

Pigment Color

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0
1
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Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

by CharlieDE

Chemistry

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2
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Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Hazardous content

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

by CharlieDE

Pigment Color

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4
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Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Hazardous content

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

by CharlieDE

Ancient

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Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Hazardous content

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

by CharlieDE

Ancient

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1
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Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

by CharlieDE

Painting

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Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

by CharlieDE

Tattoo

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1
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Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

by CharlieDE

Prehistoric

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