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Bản thiết kếCulture And HistoryKỷ nguyên

Kỷ nguyên

1.453 bản thiết kế có sẵn • 17 danh mục con

Duyệt Danh mục con

Người Viking

La Mã

Ai Cập

Hy Lạp cổ đại

Thời kỳ Edo

Thời tiền sử

Cổ đại

Thời Trung cổ

Hiện đại

Hậu hiện đại

Industry 1.0 — Steam & Mechanization (1760)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Scientific Revolution (1600–1760)

Bản thiết kế (1.453)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

bởi CharlieDE

NGHỆ THUẬT

24
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

bởi CharlieDE

NGHỆ THUẬT

62
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

bởi CharlieDE

Chưng cất

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Nguy hiểm

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

bởi CharlieDE

NGHỆ THUẬT

36
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Nguy hiểm

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

bởi CharlieDE

NGHỆ THUẬT

40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

bởi CharlieDE

NGHỆ THUẬT

33
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Nguy hiểm

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

bởi CharlieDE

NGHỆ THUẬT

47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

bởi CharlieDE

NGHỆ THUẬT

32
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

bởi CharlieDE

NGHỆ THUẬT

22
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

bởi CharlieDE

NGHỆ THUẬT

30
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

bởi CharlieDE

Động vật

56
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Nguy hiểm

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

bởi CharlieDE

Cổ đại

47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

bởi CharlieDE

Thời Trung cổ

77
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

bởi CharlieDE

Cổ đại

45
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

bởi CharlieDE

Cổ đại

47
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Nguy hiểm

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

bởi CharlieDE

Hiện đại

46
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Nguy hiểm

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

bởi CharlieDE

Thời Trung cổ

26
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

bởi CharlieDE

Thời Trung cổ

28
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

bởi CharlieDE

Cổ đại

23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

bởi CharlieDE

Cổ đại

19
0
0
0
3
0
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