UBUCIKO
UBUHLE NEMPILO
UBUCIKO BEZANDLA
AMASIKO NOMLANDO
EZOKUZIJABULISA
IMVELO
UKUDLA NEZIPHUZO
REVERSE ENGINEERING
IZAYENSI
EZEMIDLALO
UBUCHWEPHESHE
IZINTO EZIGQOKWAYO
Ukupenda
Ama-Blueprint angu-37 ayatholakala
Ama-Blueprint (37)
The Collapsible Tube: A Container That Is Always Full
ngu-Charlie
Ukupenda
11
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
ngu-Mary
Izinto Zokwakha
13
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ngu-Charlie
UBUCIKO
53
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ngu-Charlie
UBUCIKO
54
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ngu-Charlie
UBUCIKO
68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ngu-Charlie
UBUCIKO
62
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ngu-Charlie
UBUCIKO
50
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ngu-Charlie
UBUCIKO
61
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ngu-Charlie
UBUCIKO
73
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ngu-Charlie
UBUCIKO
151
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ngu-Charlie
UBUCIKO
71
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ngu-Charlie
UBUCIKO
131
0
0
0
2
0
Yingozi
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ngu-Charlie
UBUCIKO
62
0
0
0
2
0
Yingozi
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ngu-Charlie
UBUCIKO
70
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ngu-Charlie
UBUCIKO
69
0
0
0
4
0
Yingozi
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ngu-Charlie
UBUCIKO
85
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ngu-Charlie
UBUCIKO
60
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ngu-Charlie
UBUCIKO
53
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ngu-Charlie
UBUCIKO
57
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ngu-Charlie
Isilwane
135
0
0
0
3
0
Yingozi
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ngu-Charlie
Kwasendulo
105
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ngu-Charlie
Iminyaka Ephakathi
130
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ngu-Charlie
Kwasendulo
86
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
ngu-Charlie
Kwasendulo
87
0
0
0
9
0
Kukhonjiswa 24 kwangu-37