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Pintura
37 blueprints disponíveis
Plantas (37)
The Collapsible Tube: A Container That Is Always Full
por Charlie
Pintura
12
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0
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Masking Tape: Crepe Paper and an Adhesive That Never Dries
por Mary
Materiais
13
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
por Charlie
ARTE
53
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
57
0
0
0
5
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Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
68
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0
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2
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Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
62
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1
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Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
51
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0
2
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Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
66
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0
0
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Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
77
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
154
0
0
0
0
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Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
73
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0
0
3
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Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
134
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
65
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0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
75
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0
0
2
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Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
71
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0
0
4
0
Perigoso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
87
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0
0
5
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Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
60
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0
0
1
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Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
54
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0
0
1
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Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
ARTE
59
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0
0
3
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Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Animal
140
0
0
0
3
0
Perigoso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antigo
108
0
0
0
8
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Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
Idade Média
131
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Antigo
89
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0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
por Charlie
Antigo
90
0
0
0
9
0
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