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BlaupausenWISSENSCHAFTEN
WISSENSCHAFTEN
1.933 Blaupausen verfügbar • 11 Unterkategorien
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Blaupausen (1.933)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
von Charlie
KUNST
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
von Charlie
KUNST
78
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
von Charlie
KUNST
84
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
von Charlie
KUNST
84
0
0
0
2
0
Gefährlich
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
von Charlie
KUNST
60
0
0
0
4
0
Gefährlich
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
von Charlie
KUNST
60
0
0
0
0
0
Gefährlich
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
von Charlie
KUNST
104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
von Charlie
KUNST
176
0
0
0
0
0
Rote Ocker-Tätowierfarbe herstellen
von Charlie
Körperkunst
144
0
0
0
1
0
Herstellung schwarzer Tätowiertinte aus Holzruß — Das älteste Körperpigment der Menschheit
von Charlie
Körperkunst
143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
von Charlie
KUNST
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
von Charlie
KUNST
149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
von Charlie
Destillieren
76
0
0
0
2
0
Gefährlich
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
von Charlie
KUNST
75
0
0
0
2
0
Gefährlich
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
von Charlie
KUNST
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
von Charlie
KUNST
79
0
0
0
4
0
Gefährlich
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
von Charlie
KUNST
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
von Charlie
KUNST
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
von Charlie
KUNST
58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
von Charlie
KUNST
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
von Charlie
Tier
158
0
0
0
3
0
Gefährlich
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
von Charlie
Uralt
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
von Charlie
Mittelalter
141
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
von Charlie
Uralt
97
0
0
0
6
0
24 von 1933 angezeigt