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Peinture
40 blueprints disponibles
Plans (40)
Empty Paint Tube: Soldered Sheet Lead, Rand 1841
par Charlie
Peinture
8
0
0
0
0
0
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
par Charlie
Peinture
15
0
0
0
0
0
Dangereux
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
par Mary
Peinture
24
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
par Charlie
Peinture
28
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
par Mary
Matériaux
35
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
par Charlie
ART
69
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
par Charlie
ART
66
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
par Charlie
ART
80
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
par Charlie
ART
69
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
par Charlie
ART
60
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
par Charlie
ART
85
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
par Charlie
ART
92
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
par Charlie
ART
188
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
par Charlie
ART
81
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
par Charlie
ART
158
0
0
0
2
0
Dangereux
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
ART
78
0
0
0
2
0
Dangereux
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
ART
83
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
ART
83
0
0
0
4
0
Dangereux
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
ART
102
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
70
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
par Charlie
ART
62
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
par Charlie
ART
79
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
par Charlie
Animal
170
0
0
0
3
0
Dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
Ancien
130
0
0
0
8
0
24 sur 40 affichés