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Époques

1 504 blueprints disponibles • 17 sous-catégories

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Vikings

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Industry 1.0 — Steam & Mechanization (1760)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Scientific Revolution (1600–1760)

Plans (1 504)

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Dangereux

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

par CharlieDE

ART

50
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Dangereux

Making Viridian — The Permanent Transparent Chromium Oxide Green

par CharlieDE

ART

51
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Dangereux

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

par CharlieDE

ART

62
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Dangereux

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

par CharlieDE

ART

57
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Dangereux

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

par CharlieDE

ART

64
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

par CharlieDE

ART

57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

par CharlieDE

ART

68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

par CharlieDE

ART

62
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

par CharlieDE

ART

92
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

par CharlieDE

ART

51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

par CharlieDE

ART

66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

par CharlieDE

ART

77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

par CharlieDE

ART

71
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Dangereux

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

par CharlieDE

ART

54
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Dangereux

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

par CharlieDE

ART

55
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Dangereux

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

par CharlieDE

ART

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

par CharlieDE

ART

156
0
0
0
0
0
Fabriquer de la Peinture de Tatouage Ocre Rouge

Fabriquer de la Peinture de Tatouage Ocre Rouge

par CharlieDE

Art Corporel

125
0
0
0
1
0
Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

par CharlieDE

Art Corporel

135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

par CharlieDE

ART

73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

par CharlieDE

ART

135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

par CharlieDE

Distillation

68
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Dangereux

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

par CharlieDE

ART

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Dangereux

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

par CharlieDE

ART

75
0
0
0
2
0
24 sur 1504 affichés