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PlansCULTURE ET HISTOIRE

CULTURE ET HISTOIRE

1 509 blueprints disponibles • 3 sous-catégories

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Plans (1 509)

Making a Hammerstone — The First Tool in Human History

Making a Hammerstone — The First Tool in Human History

par MaryFI

Préhistorique

57
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4
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Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

par CharlieDE

ART

142
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0
0
2
0
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
Dangereux

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment

par CharlieDE

ART

73
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0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

par CharlieDE

ART

59
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0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

par CharlieDE

ART

53
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0
0
2
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Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Dangereux

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

par CharlieDE

ART

50
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0
5
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Making Viridian — The Permanent Transparent Chromium Oxide Green
Dangereux

Making Viridian — The Permanent Transparent Chromium Oxide Green

par CharlieDE

ART

51
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0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Dangereux

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

par CharlieDE

ART

62
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0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Dangereux

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

par CharlieDE

ART

58
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0
4
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Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Dangereux

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

par CharlieDE

ART

65
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0
6
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Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

par CharlieDE

ART

57
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0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

par CharlieDE

ART

69
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2
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Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

par CharlieDE

ART

62
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1
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Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

par CharlieDE

ART

94
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2
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Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

par CharlieDE

ART

51
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2
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Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

par CharlieDE

ART

66
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0
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Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

par CharlieDE

ART

77
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0
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2
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Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

par CharlieDE

ART

74
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2
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Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Dangereux

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

par CharlieDE

ART

54
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0
4
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Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Dangereux

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

par CharlieDE

ART

56
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0
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Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Dangereux

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

par CharlieDE

ART

101
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1
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Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

par CharlieDE

ART

156
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0
0
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Fabriquer de la Peinture de Tatouage Ocre Rouge

Fabriquer de la Peinture de Tatouage Ocre Rouge

par CharlieDE

Art Corporel

126
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0
1
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Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

par CharlieDE

Art Corporel

136
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0
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