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2 236 blueprints disponibles • 11 sous-catégories
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Plans (2 236)
Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine
par Charlie
Art Corporel
152
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
par Charlie
ART
81
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
par Charlie
ART
158
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
par Charlie
Distillation
87
0
0
0
2
0
Dangereux
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
ART
78
0
0
0
2
0
Dangereux
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
ART
83
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
ART
83
0
0
0
4
0
Dangereux
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
ART
102
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
71
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
par Charlie
ART
63
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
par Charlie
ART
79
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
par Charlie
Animal
170
0
0
0
3
0
Dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
Ancien
130
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
par Charlie
Moyen Âge
148
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
par Charlie
Ancien
105
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
par Charlie
Ancien
104
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
par Charlie
Moderne
111
0
0
0
7
0
Dangereux
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
par Charlie
Moyen Âge
67
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
par Charlie
Moyen Âge
79
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
par Charlie
Ancien
74
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
par Charlie
Ancien
64
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
par Charlie
Préhistorique
98
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
par Charlie
Ancien
58
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
par Charlie
Ancien
103
0
0
0
6
0
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