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ブループリントSciences化学

化学

314件のブループリントがあります • 22個のサブカテゴリ

サブカテゴリを閲覧

分析的

宇宙化学

生化学

クロマトグラフィー

極低温工学

結晶学

CSI法医学

環境的

燃焼

地球化学

歴史

産業用

無機

材料

医療

ナノテクノロジー

原子力

有機

物理的

顔料色

ポリマー

分光学

ブループリント (314)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie 作DE

アート

43
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie 作DE

アート

87
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie 作DE

蒸留

43
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
危険

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie 作DE

アート

41
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
危険

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie 作DE

アート

49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie 作DE

アート

45
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
危険

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie 作DE

アート

57
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie 作DE

アート

36
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie 作DE

アート

28
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie 作DE

アート

42
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie 作DE

動物

88
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
危険

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie 作DE

古代

73
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie 作DE

中世

98
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie 作DE

古代

56
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie 作DE

古代

64
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
危険

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie 作DE

現代

60
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
危険

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie 作DE

中世

34
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie 作DE

中世

40
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie 作DE

古代

37
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie 作DE

古代

25
0
0
0
3
0
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