SANAA
UREMBO NA USTAWI
UJANJA
UTAMADUNI NA HISTORIA
BURUDANI
MAZINGIRA
CHAKULA NA VINYWAJI
UHANDISI WA KINYUME
SAYANSI
MICHEZO
TEKNOLOJIA
VAZI
MichoroSAYANSI
SAYANSI
Mipango 1,933 inapatikana • Vijamii 11
Vinjari Vijamii
Miradi (1,933)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
na Charlie
SANAA
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
na Charlie
SANAA
78
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
na Charlie
SANAA
84
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
na Charlie
SANAA
84
0
0
0
2
0
Hatari
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
na Charlie
SANAA
60
0
0
0
4
0
Hatari
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
na Charlie
SANAA
60
0
0
0
0
0
Hatari
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
na Charlie
SANAA
104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
na Charlie
SANAA
176
0
0
0
0
0
Tengeneza Rangi ya Tatuu ya Ochre Nyekundu
na Charlie
Sanaa ya Mwili
144
0
0
0
1
0
Kutengeneza Nchi ya Tattoo Nyeusi kutoka Moshi wa Kuni — Kichukizi cha Mwili wa Kale Sana katika Historia ya Binadamu
na Charlie
Sanaa ya Mwili
143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
SANAA
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
SANAA
149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
na Charlie
Kusafisha
76
0
0
0
2
0
Hatari
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
SANAA
75
0
0
0
2
0
Hatari
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
SANAA
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
SANAA
79
0
0
0
4
0
Hatari
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
SANAA
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
SANAA
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
SANAA
58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
SANAA
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Mnyama
157
0
0
0
3
0
Hatari
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kale
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Zama za Kati
141
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kale
97
0
0
0
6
0
Inaonyesha 24 kati ya 1933