សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
ការគូរ
40 ប្លង់មាន
ប្លង់ (40)
Empty Paint Tube: Soldered Sheet Lead, Rand 1841
ដោយ Charlie
ការគូរ
8
0
0
0
0
0
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
ដោយ Charlie
ការគូរ
15
0
0
0
0
0
គ្រោះថ្នាក់
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
ដោយ Mary
ការគូរ
24
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
ដោយ Charlie
ការគូរ
28
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
ដោយ Mary
សម្ភារៈ
35
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ដោយ Charlie
សិល្បៈ
69
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ដោយ Charlie
សិល្បៈ
66
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ដោយ Charlie
សិល្បៈ
80
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ដោយ Charlie
សិល្បៈ
69
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
សិល្បៈ
60
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
សិល្បៈ
85
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
សិល្បៈ
92
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
សិល្បៈ
187
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
សិល្បៈ
81
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សិល្បៈ
158
0
0
0
2
0
គ្រោះថ្នាក់
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
សិល្បៈ
78
0
0
0
2
0
គ្រោះថ្នាក់
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
សិល្បៈ
83
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
សិល្បៈ
83
0
0
0
4
0
គ្រោះថ្នាក់
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
សិល្បៈ
102
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
សិល្បៈ
70
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ដោយ Charlie
សិល្បៈ
62
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ដោយ Charlie
សិល្បៈ
79
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ដោយ Charlie
សត្វ
170
0
0
0
3
0
គ្រោះថ្នាក់
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ដោយ Charlie
បុរាណ
130
0
0
0
8
0
បង្ហាញ 24 ក្នុងចំណោម 40