សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
អនាគតបៃតង
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
ការគូរ
35 ប្លង់មាន
ប្លង់ (35)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ដោយ Charlie
ពណ៌ពណ៌
19
0
0
0
2
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ដោយ Charlie
ពណ៌ពណ៌
15
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ដោយ Charlie
ការគូរ
17
0
0
0
2
0

Hazardous content
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ដោយ Charlie
ការគូរ
13
0
0
0
1
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
ការគូរ
12
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
ពណ៌ពណ៌
19
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
បុរាណ
19
0
0
0
2
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
ពណ៌ពណ៌
24
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
ការគូរ
8
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សម័យទំនើប
30
0
0
0
2
0

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
ពណ៌ពណ៌
20
0
0
0
2
0

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
រសាយនវិទ្យា
22
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
សិល្បៈ
21
0
0
0
4
0

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
បុរាណ
26
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
សិល្បៈ
20
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ដោយ Charlie
ការគូរ
11
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ដោយ Charlie
ពណ៌ពណ៌
13
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ដោយ Charlie
រសាយនវិទ្យា
25
0
0
0
3
0

Hazardous content
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ដោយ Charlie
សិល្បៈ
17
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ដោយ Charlie
សិល្បៈ
12
0
0
0
4
0