សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
អនាគតបៃតង
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
សិល្បៈតុបតែង
45 ប្លង់មាន • 14 ប្រភេទរង
រុករកប្រភេទរង
ប្លង់ (45)
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
ដោយ Emma
ស្ថាបត្យកម្ម
3
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
ដោយ Emma
សំណង់
2
0
0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
ដោយ Woody
ការគូរ
11
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ដោយ Charlie
សិល្បៈ
19
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ដោយ Charlie
សិល្បៈ
13
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ដោយ Charlie
សិល្បៈ
17
0
0
0
2
0
Hazardous content
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ដោយ Charlie
ពណ៌ពណ៌
13
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
បុរាណ
10
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
ពណ៌ពណ៌
13
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
សិល្បៈ
17
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
ការគូរ
16
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
សិល្បៈ
6
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សម័យទំនើប
24
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
រសាយនវិទ្យា
17
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
រសាយនវិទ្យា
17
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
ពណ៌ពណ៌
17
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
បុរាណ
21
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
ការគូរ
15
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ដោយ Charlie
ពីមុនប្រវត្តិសាស្ត្រ
10
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ដោយ Charlie
ការគូរ
11
0
0
0
2
0