សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
សិល្បៈតុបតែង
68 ប្លង់មាន • 14 ប្រភេទរង
រុករកប្រភេទរង
ប្លង់ (68)

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
ដោយ Emma
រ៉ូម៉ាំង
30
0
0
0
0
0

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
ដោយ Emma
រ៉ូម៉ាំង
44
0
0
0
0
0

Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish
ដោយ Charlie
ម៉ូសាអ៊ិក
32
0
0
0
0
0

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
ដោយ Woody
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
24
0
0
0
0
0

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ដោយ Charlie
សិល្បៈ
33
0
0
0
2
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ដោយ Charlie
សិល្បៈ
24
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ដោយ Charlie
សិល្បៈ
28
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ដោយ Charlie
សិល្បៈ
29
0
0
0
1
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
សិល្បៈ
19
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
សិល្បៈ
33
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
សិល្បៈ
32
0
0
0
2
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
សិល្បៈ
81
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
សិល្បៈ
23
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សិល្បៈ
60
0
0
0
2
0

គ្រោះថ្នាក់
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
សិល្បៈ
36
0
0
0
2
0

គ្រោះថ្នាក់
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
សិល្បៈ
40
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
សិល្បៈ
30
0
0
0
4
0

គ្រោះថ្នាក់
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
សិល្បៈ
47
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
សិល្បៈ
31
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ដោយ Charlie
សិល្បៈ
21
0
0
0
1
0