សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
រសាយនវិទ្យា
416 ប្លង់មាន • 22 ប្រភេទរង
រុករកប្រភេទរង
ប្លង់ (416)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
សិល្បៈ
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
សិល្បៈ
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
សិល្បៈ
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
ដោយ Charlie
សិល្បៈ
71
0
0
0
2
0
គ្រោះថ្នាក់
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
ដោយ Charlie
សិល្បៈ
54
0
0
0
4
0
គ្រោះថ្នាក់
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
ដោយ Charlie
សិល្បៈ
55
0
0
0
0
0
គ្រោះថ្នាក់
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
ដោយ Charlie
សិល្បៈ
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
សិល្បៈ
156
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
ដោយ Charlie
សិល្បៈរាងកាយ
125
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
ដោយ Charlie
សិល្បៈរាងកាយ
135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
សិល្បៈ
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សិល្បៈ
135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ដោយ Charlie
ការចម្រោះ
68
0
0
0
2
0
គ្រោះថ្នាក់
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
សិល្បៈ
65
0
0
0
2
0
គ្រោះថ្នាក់
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
សិល្បៈ
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
សិល្បៈ
72
0
0
0
4
0
គ្រោះថ្នាក់
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
សិល្បៈ
88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
សិល្បៈ
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ដោយ Charlie
សិល្បៈ
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ដោយ Charlie
សិល្បៈ
61
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ដោយ Charlie
សត្វ
143
0
0
0
3
0
គ្រោះថ្នាក់
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ដោយ Charlie
បុរាណ
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ដោយ Charlie
មជ្ឈិមសតវត្ស
132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ដោយ Charlie
បុរាណ
90
0
0
0
6
0
បង្ហាញ 24 ក្នុងចំណោម 416