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Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
Charlie

작성자

Charlie

22. 5월 2026DE
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Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Dammar varnish is a solution of dammar resin dissolved in turpentine, used as a protective and aesthetic coating for oil paintings. It is the most widely used picture varnish in traditional painting, producing a clear, glossy, non-yellowing finish that saturates colours, unifies surface sheen, and protects the paint surface from dust, atmospheric pollutants, and handling damage. Dammar varnish can be removed with turpentine or mineral spirits, making it fully reversible — a critical requirement for conservation.

Dammar resin (also spelled 'damar') is a natural tree resin harvested from Dipterocarpaceae trees, primarily Shorea species, in Southeast Asia (Indonesia, Malaysia, the Philippines). The name comes from the Malay word 'damar' meaning 'torch' or 'light' — the resin was traditionally burned for illumination. The resin is collected as pale, translucent, rounded lumps ('tears') that are hard and brittle at room temperature but dissolve readily in turpentine, producing a clear, pale solution.

Dammar replaced mastic as the preferred picture varnish in the 19th century because it yellows significantly less over time. Mastic varnish (from Pistacia lentiscus resin) turns progressively yellow-brown with age, while dammar remains much clearer. Both are 'soft' resins — they remain soluble in their original solvent indefinitely, unlike 'hard' resins (copal, amber) which polymerise into insoluble films. This permanent solubility is what makes dammar varnish removable and therefore suitable for fine art. Making dammar varnish is one of the simplest and most useful preparations in the painter's studio — requiring only two ingredients, no heat, and minimal equipment.

초급
30-60 minutes active, 24 hours dissolving

안내

1

Crush the dammar resin to small pieces

Select clean, pale, translucent dammar resin tears — avoid dark, cloudy, or bark-contaminated pieces as these produce a darker, less clear varnish. Place 100 g of resin tears in a cloth bag (muslin or cotton) and crush with a hammer or mortar and pestle to pieces roughly 5-10 mm. Smaller pieces dissolve faster. Dammar resin is brittle and shatters easily. Do not grind to powder — fine dust creates a cloudy suspension that is harder to strain clear.

이 단계의 재료:

Damar Resin (gondorukem)Damar Resin (gondorukem)100 g

필요한 도구:

Muslin Cloth (fine weave)Muslin Cloth (fine weave)
Mortar and PestleMortar and Pestle
2

Dissolve in gum turpentine

Place the crushed resin in a clean glass jar and add 200 ml of pure gum turpentine (NOT mineral turpentine/white spirit, which dissolves dammar poorly). The standard ratio is 1 part resin to 2 parts turpentine by weight — this produces a medium-consistency varnish. Stir gently, seal the jar, and let stand at room temperature. Stir or shake gently every few hours. The resin will dissolve completely within 12-24 hours. Do NOT heat to speed dissolution — heat degrades the resin and increases yellowing. Work in a well-ventilated area as turpentine vapour is an irritant.

이 단계의 재료:

Gum TurpentineGum Turpentine200 ml

필요한 도구:

Glass Jar (1L)Glass Jar (1L)
3

Strain through fine muslin to remove impurities

Once the resin has fully dissolved, strain the varnish through two layers of fine-weave muslin cloth stretched over a clean glass jar. The straining removes bark fragments, undissolved resin particles, and any insoluble impurities. For the clearest varnish, strain a second time through fresh muslin. The strained varnish should be a clear, pale golden liquid — nearly water-clear for the best grade dammar. If the varnish appears cloudy, let it settle for a few days and decant the clear portion from any sediment.

필요한 도구:

Muslin Cloth (fine weave)Muslin Cloth (fine weave)
Clean Glass Jars with LidsClean Glass Jars with Lids
4

Test consistency and adjust

Dip a clean brush into the varnish and brush a thin coat onto a piece of glass or a test painting. The varnish should flow smoothly, level without brush marks, and dry to a clear, glossy film within 15-30 minutes. If too thick (sticky, leaves brush marks), add turpentine in small amounts and stir. If too thin (runs and drips, dries with no sheen), let the jar sit uncovered for a few hours to evaporate some turpentine, then re-test. A well-made dammar varnish dries to a perfectly clear, hard, glossy film that saturates the underlying paint colours beautifully.

필요한 도구:

Wide Paint BrushWide Paint Brush
5

Store and apply

Store the finished dammar varnish in a tightly sealed glass jar away from heat, light, and moisture. Dammar varnish has a long shelf life — months to years if properly sealed. To apply as picture varnish: ensure the oil painting is fully dry (at least 6-12 months for thick oil paint). Lay the painting flat, apply a thin, even coat with a wide, soft brush in long, parallel strokes. Do not rework or go over the same area — this causes streaks as the varnish begins to set. One thin coat is usually sufficient. The varnish can also be mixed 1:1 with turpentine for a thinner 'retouch varnish' used between painting sessions to restore colour saturation in sunken areas.

재료

2

필요 도구

5

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