කලාව
රූපලාවණ්‍ය සහ සුවතාව
ශිල්පය
සංස්කෘතිය සහ ඉතිහාසය
විනෝදාස්වාදය
පරිසරය
ආහාර සහ පාන
ප්‍රතිලෝම ඉංජිනේරු
විද්‍යාවන්
ක්‍රීඩා
තාක්ෂණය
පැළඳිය හැකි
සැලසුම්සංස්කෘතිය සහ ඉතිහාසය

සංස්කෘතිය සහ ඉතිහාසය

සැලසුම් 1,607 ක් තිබේ • උපවර්ග 3

උපවර්ග බලන්න

නිවාඩු සහ උත්සව

සෘතුමය

යුග

සැලසුම් (1,607)

රතු ඔකර ටැටු පින්තුර සෑදීම

රතු ඔකර ටැටු පින්තුර සෑදීම

Charlie විසින්DE

සිරුරු කලාව

141
0
0
0
1
0
ලී දුවාවෙන් කළු ටැටු තීන්ත සෑදීම — මිනිස් ඉතිහාසයේ පැරණිතම සිරුර වර්ණද්‍රව්‍යය

ලී දුවාවෙන් කළු ටැටු තීන්ත සෑදීම — මිනිස් ඉතිහාසයේ පැරණිතම සිරුර වර්ණද්‍රව්‍යය

Charlie විසින්DE

සිරුරු කලාව

138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie විසින්DE

කලාව

78
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie විසින්DE

කලාව

148
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie විසින්DE

පෙරහන් කිරීම

73
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
අනතුරුදායක

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie විසින්DE

කලාව

68
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
අනතුරුදායක

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie විසින්DE

කලාව

80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie විසින්DE

කලාව

76
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
අනතුරුදායක

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie විසින්DE

කලාව

93
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie විසින්DE

කලාව

64
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie විසින්DE

කලාව

56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie විසින්DE

කලාව

66
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie විසින්DE

සත්ත්වයා

153
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
අනතුරුදායක

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie විසින්DE

පුරාණ

119
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie විසින්DE

මධ්‍යතන යුගය

138
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie විසින්DE

පුරාණ

94
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie විසින්DE

පුරාණ

94
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie විසින්DE

නූතන

98
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
අනතුරුදායක

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie විසින්DE

මධ්‍යතන යුගය

66
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie විසින්DE

මධ්‍යතන යුගය

66
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie විසින්DE

පුරාණ

69
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie විසින්DE

පුරාණ

48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Charlie විසින්DE

පුරාණ

212
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie විසින්DE

ප්‍රාග් ඓතිහාසික

79
0
0
0
5
0
1607 කින් 24 ක් පෙන්වයි