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ЗагваруудSciencesХимиПигментийн өнгө

Пигментийн өнгө

72 загвар боломжтой

Загварууд (72)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie зохиосонDE

Пигментийн өнгө

22
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie зохиосонDE

Орчин үеийн

53
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie зохиосонDE

Нэрэх

25
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Аюултай

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie зохиосонDE

Зураг

32
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Аюултай

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie зохиосонDE

Пигментийн өнгө

37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie зохиосонDE

Зураг

27
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Аюултай

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie зохиосонDE

Пигментийн өнгө

45
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie зохиосонDE

Зураг

28
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie зохиосонDE

Пигментийн өнгө

20
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie зохиосонDE

Зураг

29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie зохиосонDE

Түүхийн өмнөх

46
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Аюултай

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie зохиосонDE

Хими

36
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie зохиосонDE

Пигментийн өнгө

62
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie зохиосонDE

Эртний

38
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie зохиосонDE

УРЛАГ

41
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Аюултай

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie зохиосонDE

Зураг

37
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Аюултай

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie зохиосонDE

Пигментийн өнгө

21
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie зохиосонDE

Зураг

23
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie зохиосонDE

УРЛАГ

21
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie зохиосонDE

УРЛАГ

16
0
0
0
3
0