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63 blueprints disponibles • 14 subcategorías
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Blueprints (63)
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
29
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
Antiguo
18
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
Pintura
33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
Pintura
28
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
Antiguo
74
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
Química
57
0
0
0
2
0
Peligroso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
35
0
0
0
2
0
Peligroso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
Química
37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
30
0
0
0
4
0
Peligroso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
Pintura
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
Color Pigmento
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Química
50
0
0
0
3
0
Peligroso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antiguo
43
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
ARTE
68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Química
41
0
0
0
6
0