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BlueprintBUDAYA & SEJARAH
BUDAYA & SEJARAH
1,502 blueprint tersedia • 3 subkategori
Layari Subkategori
Blueprint (1,502)

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
oleh Charlie
SENI
36
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
oleh Charlie
SENI
35
0
0
0
2
0

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
oleh Charlie
SENI
31
0
0
0
2
0

Berbahaya
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
oleh Charlie
SENI
33
0
0
0
4
0

Berbahaya
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
oleh Charlie
SENI
35
0
0
0
0
0

Berbahaya
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
oleh Charlie
SENI
70
0
0
0
1
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
oleh Charlie
SENI
107
0
0
0
0
0

Membuat Cat Tato Besi Merah Oker
oleh Charlie
Seni Badan
60
0
0
0
1
0

Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia
oleh Charlie
Seni Badan
76
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
SENI
32
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
SENI
69
0
0
0
2
0

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
oleh Charlie
Penyulingan
30
0
0
0
2
0

Berbahaya
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
SENI
38
0
0
0
2
0

Berbahaya
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
SENI
41
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
36
0
0
0
4
0

Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
51
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
33
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
23
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
34
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Haiwan
59
0
0
0
3
0