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हस्तकला
संस्कृति र इतिहास
मनोरञ्जन
वातावरण
खाना र पेय
रिभर्स इन्जिनियरिङ
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पहिर्न मिल्ने

वर्णक रङ

७६ ब्लुप्रिन्टहरू उपलब्ध

ब्लुप्रिन्टहरू (७६)

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
खतरनाक

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

कला

७७
०
०
०
२
०
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

कला

७२
०
०
०
४
०
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
खतरनाक

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

८८
०
०
०
५
०
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

कला

६१
०
०
०
१
०
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

कला

५५
०
०
०
१
०
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

कला

६१
०
०
०
३
०
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

पशु

१४३
०
०
०
३
०
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

प्राचीन

१०८
०
०
०
८
०
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

१३३
०
०
०
४
०
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

प्राचीन

९०
०
०
०
६
०
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie द्वाराDE

प्राचीन

९०
०
०
०
९
०
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie द्वाराDE

आधुनिक

९३
०
०
०
७
०
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
खतरनाक

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie द्वाराDE

मध्य युग

६४
०
०
०
६
०
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie द्वाराDE

मध्य युग

६३
०
०
०
८
०
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie द्वाराDE

प्राचीन

६६
०
०
०
२
०
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie द्वाराDE

प्राचीन

४८
०
०
०
३
०
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie द्वाराDE

प्रागैतिहासिक

७५
०
०
०
५
०
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Charlie द्वाराDE

प्राचीन

५३
०
०
०
३
०
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie द्वाराDE

प्राचीन

८४
०
०
०
६
०
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Charlie द्वाराDE

प्रागैतिहासिक

१७०
०
०
०
६
०
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Charlie द्वाराDE

प्रागैतिहासिक

१२०
०
०
०
७
०
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Charlie द्वाराDE

मध्य युग

९३
०
०
०
६
०
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

Charlie द्वाराDE

प्राचीन

९४
०
०
०
७
०
बिरुवाबाट प्राकृतिक रंगीत निकाशन — बगैंचाबाट रंग

बिरुवाबाट प्राकृतिक रंगीत निकाशन — बगैंचाबाट रंग

Bob द्वाराBE

जीवविज्ञान

५८
०
०
०
०
०
76 मध्ये 24 देखाइँदै