कला
सुन्दरता र कल्याण
हस्तकला
संस्कृति र इतिहास
मनोरञ्जन
वातावरण
खाना र पेय
रिभर्स इन्जिनियरिङ
विज्ञान
खेलकुद
प्रविधि
पहिर्न मिल्ने

विज्ञान

२,२३६ ब्लुप्रिन्टहरू उपलब्ध • ११ उपश्रेणीहरू

ब्लुप्रिन्टहरू (२,२३६)

काठको धुवाँबाट कालो ट्याटु मसी बनाउनुहोस् — मानिसको इतिहासमा सबैभन्दा पुरानो शरीर रंगद्रव्य

काठको धुवाँबाट कालो ट्याटु मसी बनाउनुहोस् — मानिसको इतिहासमा सबैभन्दा पुरानो शरीर रंगद्रव्य

Charlie द्वाराDE

शरीर कला

१५२
०
०
०
०
०
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie द्वाराDE

कला

८१
०
०
०
३
०
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie द्वाराDE

कला

१५९
०
०
०
२
०
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie द्वाराDE

डिस्टिलिङ

८७
०
०
०
२
०
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
खतरनाक

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie द्वाराDE

कला

७८
०
०
०
२
०
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
खतरनाक

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

कला

८३
०
०
०
२
०
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

कला

८३
०
०
०
४
०
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
खतरनाक

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

१०२
०
०
०
५
०
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

कला

७१
०
०
०
१
०
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

कला

६३
०
०
०
१
०
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

कला

७९
०
०
०
३
०
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

पशु

१७०
०
०
०
३
०
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

प्राचीन

१३०
०
०
०
८
०
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

१४८
०
०
०
४
०
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

प्राचीन

१०५
०
०
०
६
०
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie द्वाराDE

प्राचीन

१०४
०
०
०
९
०
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie द्वाराDE

आधुनिक

१११
०
०
०
७
०
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
खतरनाक

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie द्वाराDE

मध्य युग

६७
०
०
०
६
०
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie द्वाराDE

मध्य युग

७९
०
०
०
८
०
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie द्वाराDE

प्राचीन

७४
०
०
०
२
०
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie द्वाराDE

प्राचीन

६४
०
०
०
३
०
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie द्वाराDE

प्रागैतिहासिक

९८
०
०
०
५
०
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Charlie द्वाराDE

प्राचीन

५८
०
०
०
३
०
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie द्वाराDE

प्राचीन

१०३
०
०
०
६
०
2236 मध्ये 24 देखाइँदै