SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Malarstwo
Dostępne plany: 37
Plany (37)
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
90
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
63
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
66
0
0
0
2
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
autor: Charlie
Starożytny
180
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
52
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
autor: Charlie
średniowiecze
67
0
0
0
4
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
autor: Florecita
Rolnictwo
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
autor: Charlie
Malarstwo
149
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
autor: Charlie
Malarstwo
219
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
autor: Charlie
Malarstwo
143
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
autor: Charlie
Malarstwo
199
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
autor: Mary
Malarstwo
140
0
0
0
8
0
Pokazano 13 z 37