SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Starożytny
Dostępne plany: 316
Plany (316)
Building a Galilean Telescope — The Instrument That Changed Our View of the Universe
autor: Astro
Renaissance (1400–1600)
24
0
0
0
4
0
Building a Brass Astrolabe — The Islamic Golden Age Instrument That Mapped the Sky
autor: Astro
Mosiądz
25
0
0
0
7
0
Building a Chinese Armillary Sphere — The Bronze Instrument That Mapped the Heavens
autor: Astro
Brązowy
20
0
0
0
3
0
Niebezpieczne
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
autor: Charlie
SZTUKA
38
0
0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment
autor: Charlie
SZTUKA
28
0
0
0
3
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
autor: Charlie
SZTUKA
31
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
autor: Charlie
SZTUKA
19
0
0
0
2
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
autor: Charlie
SZTUKA
32
0
0
0
2
0
Niebezpieczne
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
autor: Charlie
SZTUKA
29
0
0
0
4
0
Niebezpieczne
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
autor: Charlie
SZTUKA
31
0
0
0
0
0
Niebezpieczne
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
autor: Charlie
SZTUKA
62
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
autor: Charlie
SZTUKA
81
0
0
0
0
0
Niebezpieczne
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
autor: Charlie
SZTUKA
36
0
0
0
2
0
Niebezpieczne
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
autor: Charlie
SZTUKA
40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
autor: Charlie
SZTUKA
30
0
0
0
4
0
Niebezpieczne
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
autor: Charlie
SZTUKA
47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
autor: Charlie
SZTUKA
31
0
0
0
1
0
Niebezpieczne
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
autor: Charlie
Starożytny
47
0
0
0
8
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
43
0
0
0
9
0