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Chemia

Dostępne plany: 133 • Podkategorie: 23

Plany (133)

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
Treści niebezpieczne

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment

autor: CharlieDE

Starożytny

22
0
0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment
Treści niebezpieczne

Making Egyptian Blue — The World's First Synthetic Pigment

autor: CharlieDE

Chemia

20
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

autor: CharlieDE

Kolor pigmentu

19
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Treści niebezpieczne

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

autor: CharlieDE

Chemia

17
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Treści niebezpieczne

Making Viridian — The Permanent Transparent Chromium Oxide Green

autor: CharlieDE

Kolor pigmentu

12
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Treści niebezpieczne

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

autor: CharlieDE

Kolor pigmentu

14
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Treści niebezpieczne

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

autor: CharlieDE

Nowoczesny

15
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Treści niebezpieczne

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

autor: CharlieDE

Nowoczesny

13
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

autor: CharlieDE

Kolor pigmentu

14
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

autor: CharlieDE

Malarstwo

17
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Treści niebezpieczne

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

autor: CharlieDE

Malarstwo

13
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
Treści niebezpieczne

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

autor: CharlieDE

SZTUKA

19
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

autor: CharlieDE

Malarstwo

11
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

autor: CharlieDE

Kolor pigmentu

14
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

autor: CharlieDE

Starożytny

17
0
0
0
1
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

autor: CharlieDE

średniowiecze

18
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Treści niebezpieczne

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

autor: CharlieDE

SZTUKA

11
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Treści niebezpieczne

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

autor: CharlieDE

Chemia

19
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Treści niebezpieczne

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

autor: CharlieDE

SZTUKA

34
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

autor: CharlieDE

Kolor pigmentu

16
0
0
0
0
0