SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Kolor pigmentu
Dostępne plany: 78
Plany (78)

White Exterior Paint: Zinc White Ground in Boiled Linseed Oil
autor: Charlie
Kolor pigmentu
14
0
0
0
0
0

Inkstick: Soot and Glue Pounded Thirty Thousand Times, Qimin Yaoshu
autor: Charlie
Kaligrafia
12
0
0
0
0
0

Lightfastness: Which Colours Are Still There in Fifty Years
autor: Mary
Przybory
49
0
0
0
0
0

Opacity and Tinting Strength: Why Some Colours Go Ten Times Further
autor: Mary
Przybory
42
0
0
0
0
0

What Paint Is: Pigment, Binder, and the Ratio Between Them
autor: Mary
Przybory
39
0
0
0
0
0

Kodachrome
autor: Charlie
Kolor pigmentu
60
0
0
0
0
0

Niebezpieczne
Making DPP Red (Pyrrole Red) — The Accidental Ferrari Pigment That Ended the Synthetic Colour Revolution
autor: Charlie
Kolor pigmentu
75
0
0
0
3
0

Niebezpieczne
Making Isoindoline Yellow — The High-Performance Pigment That Outlasts Cadmium
autor: Charlie
Kolor pigmentu
55
0
0
0
3
0

Niebezpieczne
Making Quinacridone — The Synthetic Organic Pigment That Obsoleted Alizarin Crimson
autor: Charlie
Kolor pigmentu
76
0
0
0
4
0

Niebezpieczne
Making Dioxazine Violet — The Staggeringly Powerful Purple That Replaced Cobalt Violet
autor: Charlie
Kolor pigmentu
62
0
0
0
3
0

Niebezpieczne
Making Phthalocyanine Green — The Halogenated Phthalo That Replaced Viridian
autor: Charlie
Kolor pigmentu
58
0
0
0
3
0

Making Phthalocyanine Blue — The Copper Complex That Became the World's Most Used Blue Pigment
autor: Charlie
Kolor pigmentu
64
0
0
0
3
0

Niebezpieczne
Making Hansa Yellow — The Monoazo Pigment in Every Paint Box Since 1910
autor: Charlie
Kolor pigmentu
77
1
0
0
4
0

Niebezpieczne
Making Para Red — The First Azo Pigment That Launched Modern Colour Chemistry
autor: Charlie
Kolor pigmentu
47
0
0
0
5
0

Niebezpieczne
Making Lithopone — The Co-Precipitated White Pigment of the Industrial Age
autor: Charlie
Przemysłowy
67
0
0
0
2
0

Niebezpieczne
Making Synthetic Alizarin Crimson — The Coal Tar Pigment That Destroyed the Madder Industry
autor: Charlie
Kolor pigmentu
72
0
0
0
5
0

Niebezpieczne
Making Titanium White — The Pigment That Ended Two Millennia of Lead White
autor: Charlie
Kolor pigmentu
68
0
0
0
3
0

Niebezpieczne
Making Cadmium Red — The Brilliant Cadmium Selenide Pigment of the 20th Century
autor: Charlie
Kolor pigmentu
58
0
0
0
4
0

Making Manganese Violet — The Affordable Violet Pigment That Democratised the Palette
autor: Charlie
Kolor pigmentu
91
0
0
0
4
0

Niebezpieczne
Making Cobalt Violet — The First True Violet Pigment in the Painter's Palette
autor: Charlie
Kolor pigmentu
64
0
0
0
5
0

Niebezpieczne
Making Cerulean Blue — The Sky Blue Pigment of the Impressionists
autor: Charlie
Kolor pigmentu
57
0
0
0
5
0

Niebezpieczne
Making Cobalt Green (Rinmann's Green) — The Cobalt Zinc Oxide Pigment of Swedish Chemistry
autor: Charlie
Kolor pigmentu
53
0
0
0
5
0

Niebezpieczne
Making Scheele's Green — The Copper Arsenite Pigment That Poisoned the 19th Century
autor: Charlie
Kolor pigmentu
127
0
0
0
4
0

Making Maya Blue — The Indestructible Pigment of Mesoamerica
autor: Charlie
SZTUKA
163
0
0
0
2
0
Pokazano 24 z 78