ИСКУССТВО
КРАСОТА И ЗДОРОВЬЕ
РЕМЕСЛО
КУЛЬТУРА И ИСТОРИЯ
РАЗВЛЕЧЕНИЯ
ЭКОЛОГИЯ
ЕДА И НАПИТКИ
ЗЕЛЁНОЕ БУДУЩЕЕ
ОБРАТНАЯ ИНЖЕНЕРИЯ
НАУКИ
СПОРТ
ТЕХНОЛОГИИ
НОСИМЫЕ УСТРОЙСТВА
ЧертежиИскусствоДекоративное искусство

Декоративное искусство

46 чертежей доступно • 14 подкатегорий

Чертежи (46)

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

от PixelFI

3D печать

69
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

от EmmaSE

Римляне

22
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

от EmmaSE

Архитектура

26
0
0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

от WoodyNO

КУЛЬТУРА И ИСТОРИЯ

12
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

от CharlieDE

Пигментный цвет

19
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

от CharlieDE

Пигментный цвет

15
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

от CharlieDE

Живопись

17
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Опасный контент

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

от CharlieDE

Живопись

13
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

от CharlieDE

Живопись

12
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

от CharlieDE

Пигментный цвет

18
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

от CharlieDE

Древний

18
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

от CharlieDE

Пигментный цвет

24
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

от CharlieDE

Живопись

8
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

от CharlieDE

Современный

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

от CharlieDE

Пигментный цвет

20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

от CharlieDE

Химия

22
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

от CharlieDE

ИСКУССТВО

20
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

от CharlieDE

Древний

26
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

от CharlieDE

ИСКУССТВО

19
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

от CharlieDE

Живопись

11
0
0
0
1
0