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КУЛЬТУРА И ИСТОРИЯ
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НОСИМЫЕ УСТРОЙСТВА
Живопись
39 чертежей доступно
Чертежи (39)
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
от Charlie
Живопись
9
0
0
0
0
0
Опасно
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
от Mary
Живопись
20
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
от Charlie
Живопись
27
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
от Mary
Материалы
34
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
от Charlie
ИСКУССТВО
62
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
от Charlie
ИСКУССТВО
61
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
от Charlie
ИСКУССТВО
75
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
от Charlie
ИСКУССТВО
63
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
от Charlie
ИСКУССТВО
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
от Charlie
ИСКУССТВО
76
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
от Charlie
ИСКУССТВО
84
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
от Charlie
ИСКУССТВО
175
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
от Charlie
ИСКУССТВО
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
от Charlie
ИСКУССТВО
149
0
0
0
2
0
Опасно
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
от Charlie
ИСКУССТВО
75
0
0
0
2
0
Опасно
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
от Charlie
ИСКУССТВО
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
от Charlie
ИСКУССТВО
79
0
0
0
4
0
Опасно
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
от Charlie
ИСКУССТВО
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
от Charlie
ИСКУССТВО
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
от Charlie
ИСКУССТВО
57
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
от Charlie
ИСКУССТВО
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
от Charlie
Животное
157
0
0
0
3
0
Опасно
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
от Charlie
Древний
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
от Charlie
Средние века
141
0
0
0
4
0
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