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ЧертежиИСКУССТВО
ИСКУССТВО
126 чертежей доступно • 3 подкатегорий
Обзор подкатегорий
Чертежи (126)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
от Charlie
ИСКУССТВО
50
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
от Charlie
ИСКУССТВО
61
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
от Charlie
ИСКУССТВО
71
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
от Charlie
ИСКУССТВО
70
0
0
0
2
0
Опасно
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
от Charlie
ИСКУССТВО
53
0
0
0
4
0
Опасно
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
от Charlie
ИСКУССТВО
55
0
0
0
0
0
Опасно
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
от Charlie
ИСКУССТВО
93
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
от Charlie
ИСКУССТВО
150
0
0
0
0
0
Изготовление краски для татуировки красного охра
от Charlie
Боди-арт
112
0
0
0
1
0
Изготовление черной татуировочной краски из древесной сажи — самый древний пигмент человеческого тела в истории
от Charlie
Боди-арт
123
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
от Charlie
ИСКУССТВО
68
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
от Charlie
ИСКУССТВО
127
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
от Charlie
Дистилляция
59
0
0
0
2
0
Опасно
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
от Charlie
ИСКУССТВО
62
0
0
0
2
0
Опасно
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
от Charlie
ИСКУССТВО
68
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
от Charlie
ИСКУССТВО
69
0
0
0
4
0
Опасно
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
от Charlie
ИСКУССТВО
84
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
от Charlie
ИСКУССТВО
59
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
от Charlie
ИСКУССТВО
48
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
от Charlie
ИСКУССТВО
55
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
от Charlie
Животное
129
0
0
0
3
0
Опасно
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
от Charlie
Древний
105
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
от Charlie
Средние века
130
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
от Charlie
Древний
83
0
0
0
6
0
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