ИСКУССТВО
КРАСОТА И ЗДОРОВЬЕ
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КУЛЬТУРА И ИСТОРИЯ
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ТЕХНОЛОГИИ
НОСИМЫЕ УСТРОЙСТВА
Пигментный цвет
72 чертежей доступно
Чертежи (72)
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
от Charlie
Живопись
21
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
от Charlie
Современный
53
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
от Charlie
Дистилляция
25
0
0
0
2
0
Опасно
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
от Charlie
Живопись
32
0
0
0
2
0
Опасно
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
от Charlie
Химия
35
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
от Charlie
ИСКУССТВО
27
0
0
0
4
0
Опасно
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
от Charlie
Древний
45
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
от Charlie
Живопись
27
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
от Charlie
Пигментный цвет
19
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
от Charlie
Живопись
28
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
от Charlie
Доисторический
45
0
0
0
3
0
Опасно
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
от Charlie
Химия
36
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
от Charlie
Пигментный цвет
61
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
от Charlie
Древний
38
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
от Charlie
ИСКУССТВО
41
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
от Charlie
Живопись
36
0
0
0
7
0
Опасно
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
от Charlie
Пигментный цвет
21
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
от Charlie
Живопись
22
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
от Charlie
ИСКУССТВО
21
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
от Charlie
ИСКУССТВО
16
0
0
0
3
0