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773 чертежей доступно • 22 подкатегорий

Чертежи (773)

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

от CharlieDE

ИСКУССТВО

84
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Опасно

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

от CharlieDE

ИСКУССТВО

60
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Опасно

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

от CharlieDE

ИСКУССТВО

60
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Опасно

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

от CharlieDE

ИСКУССТВО

103
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

от CharlieDE

ИСКУССТВО

175
0
0
0
0
0
Изготовление краски для татуировки красного охра

Изготовление краски для татуировки красного охра

от CharlieDE

Боди-арт

144
0
0
0
1
0
Изготовление черной татуировочной краски из древесной сажи — самый древний пигмент человеческого тела в истории

Изготовление черной татуировочной краски из древесной сажи — самый древний пигмент человеческого тела в истории

от CharlieDE

Боди-арт

143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

от CharlieDE

ИСКУССТВО

80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

от CharlieDE

ИСКУССТВО

149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

от CharlieDE

Дистилляция

75
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Опасно

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

от CharlieDE

ИСКУССТВО

75
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Опасно

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

от CharlieDE

ИСКУССТВО

80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

от CharlieDE

ИСКУССТВО

79
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Опасно

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

от CharlieDE

ИСКУССТВО

97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

от CharlieDE

ИСКУССТВО

65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

от CharlieDE

ИСКУССТВО

58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

от CharlieDE

ИСКУССТВО

73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

от CharlieDE

Животное

157
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Опасно

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

от CharlieDE

Древний

123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

от CharlieDE

Средние века

141
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

от CharlieDE

Древний

97
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

от CharlieDE

Древний

98
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

от CharlieDE

Современный

104
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Опасно

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

от CharlieDE

Средние века

66
0
0
0
6
0
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