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50 blueprints disponibles • 14 sous-catégories
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Blueprints (50)
Contenu dangereux
Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury
par Legolas
Chimie
21
0
0
0
0
0
Creating 3D Models with Claude AI and Blender — From Conversation to .blend File
par Pixel
CAD/CAM Software
175
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
par Emma
Construction
28
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
par Emma
Architecture
33
0
0
0
0
0
Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish
par Charlie
Chimie
30
0
0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
par Woody
ART
19
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
par Charlie
Couleur Pigment
27
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
par Charlie
ART
19
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
par Charlie
Moyen Âge
23
0
0
0
2
0
Contenu dangereux
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
par Charlie
Couleur Pigment
19
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
par Charlie
Peinture
17
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
par Charlie
ART
28
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
par Charlie
ART
21
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
par Charlie
ART
53
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
par Charlie
Peinture
16
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
par Charlie
Peinture
51
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
Couleur Pigment
28
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
Ancien
29
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
Ancien
26
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
Chimie
36
0
0
0
5
0