UBUHANZI
UBWIZA N'UBUZIMA
UBUKORIKORI
UMUCO N'AMATEKA
IMYIDAGADURO
IBIDUKIKIJE
IBIRIBWA N'IBINYOBWA
UBWUBATSI BUSUBIRA INYUMA
UBUMENYI
SIPORO
IKORANABUHANGA
IBYAMBARWA
IbishushanyoUBUHANZI
UBUHANZI
Ibishushanyo 122 birahari • Ibyiciro bito 3
Reba Ibyiciro Bito
Ibishushanyo (122)
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
na Charlie
Gutunganya Ibinyobwa
43
0
0
0
2
0
Akaga
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
UBUHANZI
41
0
0
0
2
0
Akaga
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
UBUHANZI
49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
UBUHANZI
49
0
0
0
4
0
Akaga
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
UBUHANZI
59
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
UBUHANZI
37
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
UBUHANZI
30
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
UBUHANZI
43
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Inyamaswa
90
0
0
0
3
0
Akaga
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kera
74
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Ibihe byo Hagati
100
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kera
60
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
na Charlie
Kera
65
0
0
0
9
0
Akaga
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
na Charlie
Kigezweho
62
0
0
0
7
0
Akaga
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
na Charlie
Ibihe byo Hagati
35
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
na Charlie
Ibihe byo Hagati
40
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
na Charlie
Kera
40
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
na Charlie
Kera
25
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
na Charlie
Kera
137
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
na Charlie
Mbere y'Amateka
53
0
0
0
5
0