Ubufatanye
UBUHANZI
UBWIZA N'UBUZIMA
UBUKORIKORI
UMUCO N'AMATEKA
IMYIDAGADURO
IBIDUKIKIJE
IBIRIBWA N'IBINYOBWA
UBWUBATSI BUSUBIRA INYUMA
UBUMENYI
SIPORO
IKORANABUHANGA
IBYAMBARWA
IbishushanyoUBUHANZI
UBUHANZI
Ibishushanyo 132 birahari • Ibyiciro bito 3
Reba Ibyiciro Bito
Ibishushanyo (132)
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
UBUHANZI
69
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
UBUHANZI
93
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Inyamaswa
186
0
0
0
3
0
Akaga
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kera
143
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Ibihe byo Hagati
165
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kera
119
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
na Charlie
Kera
121
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
na Charlie
Kigezweho
121
0
0
0
7
0
Akaga
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
na Charlie
Ibihe byo Hagati
72
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
na Charlie
Ibihe byo Hagati
97
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
na Charlie
Kera
81
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
na Charlie
Kera
73
0
0
0
3
0
Gukora irangi rya kazeyine riva ku mata n’ishwagara — Irangi rya kera ry’inkuta rishingiye kuri poroteyine
na Charlie
Kera
274
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
na Charlie
Mbere y'Amateka
113
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
na Charlie
Kera
66
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
na Charlie
Ibihe byo Hagati
86
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
na Charlie
Kera
116
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
na Charlie
Mbere y'Amateka
222
0
0
0
6
0
Gukora Ingwa yo Gusiga
na Charlie
Mbere y'Amateka
208
0
0
0
2
0
Gukora Inombe Itukura Utwika Inombe y'Umuhondo — Ihinduka rya Kera Cyane ry'Irangi Ryakozwe Nkana
na Charlie
Mbere y'Amateka
173
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
na Charlie
Ibihe byo Hagati
120
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
na Charlie
Kera
126
0
0
0
7
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
na Florecita
Ubuhinzi
69
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
na Charlie
Gusiga Amarangi
188
0
0
2
0
0
Hagaragajwe 24 kuri 132