ART
BEAUTÉ ET BIEN-ÊTRE
ARTISANAT
CULTURE ET HISTOIRE
DIVERTISSEMENT
ENVIRONNEMENT
NOURRITURE ET BOISSONS
AVENIR VERT
INGÉNIERIE INVERSE
SCIENCES
SPORTS
TECHNOLOGIE
TECHNOLOGIE PORTABLE

Ancien

248 blueprints disponibles

Blueprints (248)

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Contenu dangereux

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

par CharlieDE

ART

12
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Contenu dangereux

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

par CharlieDE

Chimie

22
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Contenu dangereux

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

par CharlieDE

ART

37
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

par CharlieDE

Couleur Pigment

24
0
0
0
0
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

par CharlieDE

Couleur Pigment

20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

par CharlieDE

Chimie

21
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

par CharlieDE

ART

20
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

par CharlieDE

Ancien

26
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

par CharlieDE

ART

19
0
0
0
1
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Contenu dangereux

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

par CharlieDE

ART

17
0
0
0
8
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

par CharlieDE

ART

25
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

par CharlieDE

Couleur Pigment

27
0
0
0
9
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

par CharlieDE

ART

16
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

par CharlieDE

ART

11
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

par CharlieDE

Ancien

17
0
0
0
2
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

par CharlieDE

Couleur Pigment

16
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

par CharlieDE

ART

18
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
Contenu dangereux

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

par CharlieDE

Arts Décoratifs

21
0
0
0
2
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

par CharlieDE

Chimie

17
0
0
0
7
0
Dyeing Orange-Gold with Dahlia — The Aztec Flower That Conquered European Gardens

Dyeing Orange-Gold with Dahlia — The Aztec Flower That Conquered European Gardens

par TexFO

Teintures et Pigments

12
0
0
0
1
0