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المخططاتالثقافة والتاريخ

الثقافة والتاريخ

1,607 مخططات متاحة • 3 فئات فرعية

تصفح الفئات الفرعية

المخططات (1,607)

صنع طلاء تاتو أحمر أكسيد — صبغة جسد أكسيد الحديد من الثقافات القديمة

صنع طلاء تاتو أحمر أكسيد — صبغة جسد أكسيد الحديد من الثقافات القديمة

بواسطة CharlieDE

فن الجسد

133
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0
0
1
0
صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

بواسطة CharlieDE

فن الجسد

138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

بواسطة CharlieDE

فنون

76
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0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

بواسطة CharlieDE

فنون

143
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0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

بواسطة CharlieDE

تقطير

73
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
خطير

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

بواسطة CharlieDE

فنون

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
خطير

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

بواسطة CharlieDE

فنون

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

بواسطة CharlieDE

فنون

75
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
خطير

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

بواسطة CharlieDE

فنون

92
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

بواسطة CharlieDE

فنون

63
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

بواسطة CharlieDE

فنون

56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

بواسطة CharlieDE

فنون

65
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0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

بواسطة CharlieDE

حيوان

147
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0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
خطير

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

بواسطة CharlieDE

قديم

118
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

بواسطة CharlieDE

العصور الوسطى

137
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0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

بواسطة CharlieDE

قديم

91
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0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

بواسطة CharlieDE

قديم

93
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

بواسطة CharlieDE

حديث

98
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0
7
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Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
خطير

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

بواسطة CharlieDE

العصور الوسطى

65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

بواسطة CharlieDE

العصور الوسطى

66
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

بواسطة CharlieDE

قديم

69
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

بواسطة CharlieDE

قديم

48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

بواسطة CharlieDE

قديم

204
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

بواسطة CharlieDE

ما قبل التاريخ

79
0
0
0
5
0
عرض 24 من 1607