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المخططاتالعلوم

العلوم

1,689 مخططات متاحة • 11 فئات فرعية

المخططات (1,689)

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
خطير

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

بواسطة CharlieDE

فنون

56
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
خطير

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

بواسطة CharlieDE

فنون

57
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
خطير

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

بواسطة CharlieDE

فنون

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

بواسطة CharlieDE

فنون

164
0
0
0
0
0
صنع طلاء تاتو أحمر أكسيد — صبغة جسد أكسيد الحديد من الثقافات القديمة

صنع طلاء تاتو أحمر أكسيد — صبغة جسد أكسيد الحديد من الثقافات القديمة

بواسطة CharlieDE

فن الجسد

133
0
0
0
1
0
صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

بواسطة CharlieDE

فن الجسد

138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

بواسطة CharlieDE

فنون

76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

بواسطة CharlieDE

فنون

142
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

بواسطة CharlieDE

تقطير

72
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
خطير

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

بواسطة CharlieDE

فنون

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
خطير

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

بواسطة CharlieDE

فنون

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

بواسطة CharlieDE

فنون

75
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
خطير

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

بواسطة CharlieDE

فنون

91
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

بواسطة CharlieDE

فنون

63
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

بواسطة CharlieDE

فنون

56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

بواسطة CharlieDE

فنون

63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

بواسطة CharlieDE

حيوان

147
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
خطير

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

بواسطة CharlieDE

قديم

114
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

بواسطة CharlieDE

العصور الوسطى

137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

بواسطة CharlieDE

قديم

91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

بواسطة CharlieDE

قديم

93
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

بواسطة CharlieDE

حديث

98
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
خطير

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

بواسطة CharlieDE

العصور الوسطى

65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

بواسطة CharlieDE

العصور الوسطى

66
0
0
0
8
0
عرض 24 من 1689